Urban

Memphis Bleek & Smoke DZA Unite to Tell Us “Trees Open Doors” (EP Review)

A new collaborative extended play has arrived, pairing Brooklyn emcee and songwriter Memphis Bleek with Manhattan’s own Smoke DZA. While the two artists have crossed paths previously on tracks like “Selling Smoke” and the 2025 standout “3 Kings,” Trees Open Doors marks a more focused effort to showcase their chemistry.

The project opens with “Blockbuster Night,” a track that leans into a classic, jazzy boom-bap aesthetic. The duo trades bars about the high life, balancing themes of success with the gritty storytelling expected from two East Coast staples. The energy shifts on “Lock In,” which opts for a drumless, chipmunk-soul-inspired instrumental. This minimalist production allows both emcees to focus on their lyrical dexterity, emphasizing their shared determination to close out the first half of the project on a high note.

As the EP progresses, “Slide” introduces a funkier, more rhythmic soundscape designed for the dance floor, providing a necessary change of pace. The project concludes with “Party of 5,” featuring Christian d’Or. While the track serves as a closing statement, it unfortunately lands on a somewhat mediocre note, failing to capture the same momentum established by the earlier cuts.

Ultimately, Trees Open Doors is a project tailored for the loyal fanbases of both artists. Despite the lack of listed production credits—a recurring frustration in modern releases—the synergy between these two veterans is undeniable. They navigate various soundscapes, from traditional boom-bap to contemporary jazz-rap, with ease. While it may not redefine the genre, it serves as a solid testament to their enduring relevance in the New York hip-hop scene.

Trees Open Doors EP Cover

Score: 6/10