Slept On: The Latest In Rap Music

Babyface Ray – Unfuckwitable

Detroit’s Babyface Ray is currently the face of his city’s bubbling rap movement. With a slackened, conversational flow, Babyface Ray’s latest EP, Unfuckwitable, finds him especially relaxed. “How the f**k a n**** catch COVID, all that Perc’ and lean?” he asks on “If You Know You Know,” his pulpy flow barely on beat. “Five hoes at Ruth Chris, what you want? I’ll pay the bill (It ain’t sh*t.)”

Unfuckwitable finds Babyface especially lackadaisical. He trades colloquial bars with Louisville rapper EST Gee on “Pink 10s” that are so conversational that the duo sounds like they’re chopping it up at the supermarket, and he dissects his rise to fame on “Change You” with a mature and muted transparency. “You said I was immature and you want bigger and better,” he says plainly. “I had to fight through the pain, now I’m bigger than ever.”

Mosa – Heartbreak University

The follow-up to 2019’s Heartbreak Season, Mosa has since cultivated a relationship with Drake and garnered significant co-signs from reggaeton star Nicky Jam and Karol G. Boston-based Mosa returns with Heartbreak University, another dense collection of breakup anthems and intricate melodies. Every track traverses the experiences of love, lust, and heartbreak with spit-fire wordplay, as Mosa’s interspersing of R&B into Hip-Hop continues to evolve.

Lil Muk

The melodic offerings of Philly’s Lil Muk are quippy and drizzled in autotune, but not at the expense of lyrical maturity. On About Time, he recognizes how internet fame leads to inner turmoil, and at times he can’t even smoke weed because of how it triggers his PTSD (“Living Life.”) His tunes are brooding and soulful street tales, and Muk often sounds on the brink of tears as he warbles his way through each track.

The paranoia and danger that surrounds him is almost too much to bear on “Dangerous,” but over the muddled high-hats of “Help Me Forget It” and the emotional piano chords of “So Beautiful,” Muk is finally able to find a moment of solace by being with his lover. But street dealings inevitably consume him again, and the vicious cycle continues despite his best efforts to break into the rap game. “She can tell by my demeanor I really came from nothing,” he croons on the project’s outro. “You can see how bad I want it.”

Chris Crack – Might Delete Later

Chris Crack remains one the hardest working underground emcees in modern rap. The jittery Chicago emcee dropped 4 solid projects in 2020 and returns at 2021’s kick off with another jazzy collection of meticulous raps. But while often a proud solo artist, Crack stuffs Might Delete Later with charismatic features from fellow members of Chicago’s bustling underground.

Over smooth and disjointed instrumentals, Crack meanders through each track with no destination in mind. Per usual, it sounds like he’s just happy to be here and able to tell his stories, even if those stories aren’t particularly compelling in a pandemic. “I’m on my phone playing centipede, like I said in the last song I’m a remedy,” he raps with a shrug on the fittingly-titled “King of the Living Room.”

Fuego – Supremo

The latest EP from the DR’s gruff-voiced reggaeton emcee, Fuego, is saturated in quaking bass and brutish braggadocio. Fuego softly coos over Supremo‘s brutish instrumentals, his flow at times so hushed that he beckons you to lean in closer for a listen. He gets so high on “Elon” that he’s paranoid and hallucinating, but he shrugs it off. Muted and unassuming, Fuego flexes and boasts with an almost presidential self-assurance.