Karen Salicath Jamali’s music doesn’t come from anywhere ordinary. It emerges from a place far outside the reach of formal education, sheet music, or even conscious decision. Her latest single, “Angel Raphael’s Touch“, is another entry in her ever-expanding body of dream-received compositions—a spiritually charged piano piece that quietly unfolds with the kind of weightless grace most composers spend decades trying to capture.
Guided by what she calls a “dream-guided” process, Salicath speaks of music arriving in the still hours of the morning. “This piece came through in stillness,” she says. “As many of my works do—dream-guided, and intended to bring calm and spiritual presence to the listener.” It’s not a metaphor. Since a life-altering near-death experience in 2012, Salicath has composed more than 2,500 original works without prior formal training, describing her compositions as messages received rather than pieces written.
“Angel Raphael’s Touch” is built around the energy of Archangel Raphael, traditionally associated with healing and restoration. The song itself feels like an invitation to pause—to listen more deeply, to breathe more slowly. The keys drift with intention, soaked in a kind of divine hush. Mastered by the legendary Maria Triana, whose credits read like a hall of fame—Aretha, Dylan, Sting—the track shimmers with sonic clarity. It’s not overproduced or ornamental; Triana respects the source and lets the energy speak for itself.
Adding to the song’s resonance is its visual counterpart—a bronze sculpture of Archangel Raphael, also created by Karen Salicath. This is where her work transcends categorization: sculpture, sound, and spirit all in dialogue.
And she’s not slowing down. Salicath has already teased her next single, “Angel Haniel’s Clearing”, dropping July 11. Like its predecessor, it too arrived in a dream—this time as “landscapes of tones” and “highlands of vibrations.” Where Angel Raphael brought healing, Angel Haniel brings grace and emotional clarity. “She brings so much peace and so much calm and surrender,” Karen Salicath says. “And I think, isn’t it this we all need right now.”
It’s hard to argue with that. Her music isn’t just about sound—it’s about stillness. In a world addicted to noise, “Angel Raphael’s Touch” feels like sacred space. And with “Angel Haniel’s Clearing” on the horizon, Karen Salicath Jamali remains a rare artist who isn’t just composing music—she’s receiving it from somewhere most of us can’t see.
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